Thursday, February 25, 2010

Adviser, Advisor, Let's Call the Whole Thing Off.

This really bugs me sometimes as a three-time school spelling bee champ and word nazi: at USC, the traditional spelling of my job title is "advisor" with an "-or," which always triggers the judgmental red squiggly lines of shame of the spellcheck (of course, so does the word "spellcheck," so go figure). I know that when I first started this (fantastic) job a year and a half ago I had to have made at least a cursory attempt at checking the legitimacy of this traditional spelling, otherwise I'm certain I'd have lost it months ago. But I finally couldn't take the nagging fear that I might be participating in some plebian assault on proper English - the kind over which I normally make a noisy show of my distaste, even when I am on rare occasions proven to be in the wrong - that I had to see what the good old O.E.D. had to say on the matter. It is only mostly satisfying.


Adviser

Also advisor
[-OR][f. ADVISE + -ER1.
  Adviser remains the usual spelling, but advisor is freq. used (esp. U.S.) in the titles of persons whose function it is to give advice.
    1. a. One who advises or counsels. Also with qualifying word, as legal adviser, tax adviser, etc.
    b. Chiefly U.S. At some universities, a senior member assigned individually to advise students on personal, academic, or other matters. Cf. moral tutor s.v.


Monday, December 14, 2009

I Want Your Psycho, Your Vertigo Shtick!

I did it! The pop music blog I have been thinking about and brainstorming and hemming and haw-ing about for MONTHS is up, in its most nascent, bare-bones form but up nonetheless! I said it would debut Monday, December 14, 2009, and here it is, Monday, December 14, 2009 with one hour to spare, and not only is it up, it's up with the first Playlist of the Week and an entry accompanying it that took almost two hours to put together.

Sure, it still needs a ton of work and it's just getting started, but IT'S HERE, and I made my self-imposed deadline, and I couldn't be happier with myself! Woohoo! Here's hoping this will be the start of something truly fun and exciting!

VertigoShtick is here!

Monday, November 30, 2009

Five Great Musicals (By Request)

My friend Lauren asked me for five favorite musicals as she attempts to beef up her musical theatre repertoire for auditions, a task which those who know me well will know suits me comfortably. As I tend to do, I definitely went a bit overboard with it, but I thought I'd share what I came up with for her on here in case anyone else wants a gander.

5. Rent: Rent revolutionized Broadway with then edgy themes, rollicking rock-flavored music, a compelling and tragic behind-the-scenes story (the writer, Jonathan Larson, died of a freak aneurysm the night before ...its first Off-Broadway preview), and a ton of HEART. I sang a duet from Rent three of my four years in HS for big end-of-year concerts ("I'll Cover You" is a sweet love song between a man and a drag queen; "Take Me or Leave Me" is a raucus breakup song between two lesbians; "What You Own" is a powerful ballad of finding one's purpose after everything). It's a bit dated now but still packs an emotional punch and has some great tunes ("Out Tonight" is as thrilling to see performed live as the Queen of the Night's arias in The Magic Flute, and "Seasons of Love" will always be a glorious, if bittersweet, anthem).

4. Into the Woods: Clever story, insightful characters and, of course, brilliant music by the master himself, Stephen Sondheim. Follows well-known fairy tale characters interacting comedically in Act I and tragically in Act II. I recommend watching the DVD of the original Bway production with Bernadette Peters and Joanna Gleason (Vanessa Williams starred in the revival). "On the Steps of the Palace" is one of the more difficult and impressive female solos around, as is "Moments in the Woods," but "No One is Alone" is definitely the signature ballad.

3. Kiss Me, Kate: An oldie but goodie by Cole Porter (a master of the clever lyrics and jazzy Broadway tunes of the 50s) which was revived splendidly in the early part of this decade (that cast recording is stellar); a take on Shakespeare's Taming of the Shrew with a modern twist. Best part, though, is the endless list of great songs: "So in Love," "Too Darn Hot," "Another Op'nin, Another Show," and the second act showstopper "Always True to You (In My Fashion)" (done amazingly on revival cast album by Amy Spanger). I saw it on Broadway and it remains atop my list.

2. Sweeney Todd: Another Sondheim masterpiece, only this one is a gory melodramatic opera about a homicidal, throat-slitting barber out for revenge. The music is incredible, and the lead roles of Sweeney Todd and the sinister Mrs. Lovett are gifts to seasoned veterans (Angela Lansbury was the original; Patti LuPone did a revival). I recommend the DVD of the San Francisco Symphony Concert production from a few years ago with George Hearn, Patti LuPone, and Neil Patrick Harris. Incredible.

1. Avenue Q: This is perhaps the closest any musical has ever come to perfection. On the surface it's an irreverent spoof on Sesame Street, where puppets and humans coexist and deal with being 22 with a useless college degree, no money, and seeming lack of purpose. But it's really a sweet love story and a touching, HILARIOUS, and most of all completely true and relateable fable about growing up. "Everyone's a Little Bit Racist," "The Internet is for Porn," and "If You Were Gay" will have you rolling in the aisles, while "There's a Fine, Fine Line," "Purpose," and "I Wish I Could Go Back to College" will tug your heartstrings (and impress any casting director). Beat out Wicked for the Best Musical Tony and deserves every bit of it; recently closed on Bway only to reopen immediately Off-Broadway, and with any luck it will run until the end of time. It's truly incredible. I will fly to New York with you to see it again, and I've seen it twice already.

Update (and Conclusion?) on the Great Gaga Saga

Earlier this morning I posted an SOS of deceptive desperation in an attempt to decipher a particularly gnarly lyrical quandary at the hands of the fabulous and frighteningly phenomenal Lady Gaga (for reasons I can only promise will prove themselves in the near future). I'd foolishly hoped for a swift and solid resolution, but instead found the road to truth even thornier than I'd anticipated. I also learned a little and laughed a lot along the way, and most importantly, I am 99.9% satisfied that I have finally uncovered the answer to my shticky little question.

Since most of the good stuff took place via Facebook, however, I wanted to document some of the madness highlights here for posterity.

First, Alecia (the friend I wrote about earlier who originally alerted me to the existence of this discrepancy) helpfully provided this: "So go to the second interview on this link at around 2:30 she talks about the song. (Link to Interviews) I knew I heard it somewhere!! And it sounds like schtick to me still :)"

And indeed it did; however, Gaga's explanation did not make entirely clear why exactly the lyric might be one or the other, instead educating the ignorant masses about Hitchcock (and, unexpectedly, clearing up the other lyric in the song I hadn't gotten and in doing so redeeming herself from my idnignant response to her assumed omission of my favorite Hitchcock film, Rear Window...more on this in a moment).

Then one of my music industry connections (the fabulous country sensation-in-waiting Brittany McDonald, whose absence from your music library should be rectified immediately) pointed out the inarguable habit of lyrical non-clarity the Gaga has possessed since "Poker Face/Puckerface/Fuck Her Face."

Alecia's stance was all but verified by a helpful response I received from a user on YouTube, who explained, "It's 'schtick' according to the CD book, but it's meant to be a play on words, since the next lyric 'want you in my rear window, baby you're sick' is alluding to anal sex." While I imagine I would have gleaned the salacious hidden meaning of the newly discovered lyrics without much prodding, but the confirmation of an official publication of the lyrics as being extant was, really, exactly what I had said earlier that I would require as proof.

After "shtick" (alternately spelled "schtick" by more than one respondant) received endorsements from a few more of my particularly pop-aware friends, Chris sealed the deal with what reasonably purports to be as close to a facsimile of the supposed "CD book" as I'm likely to encounter without schlepping to Best Buy to buy the damn thing with the money I don't have for the CD player I don't possess. In this case the spelling "shtick" was used, and for my secret purposes I decided I preferred it as such.

The residual exchanges (the main quest being complete) amounted essentially to a jocular namedropping parade of other notable marble-mouths of the airwaves (Mick Jagger, Bob Dylan, and Britney Spears appeared in various contexts). And really, I have to defend my confusion once more here: say what you like about Gaga, but you can't deny that she didn't help in this search for lyrical absolution with her delivery - as artistically intriguing as her unique enunciation was likely meant to be (and, indeed, is).

Long story short: in the second verse of "Bad Romance," Lady Gaga sings the following:

I want your Psycho,
Your Vertigo shtick;
Want you in my Rear Window.
Baby, you're sick.
I want your love.
Love, love, love,
I want your love.

In the simplest vernacular, this seems to mean something like "I enjoy how fucked up you are and would also like to receive anal sex from you if that's possible." Or, classic Gaga.


Believe It or Not, This Is REALLY Important

OK I am at my wits' end...does anyone know if the official lyrics to Lady Gaga's single "Bad Romance" (from The Fame Monster re-release) are published anywhere? Like in liner notes or something similarly official-esque and ostensibly from the horse's mouth or close to it, not MetroLyrics or other user-compiled information (often rife with mondegreens)?

Barring that, if anyone knows anyone who knows anyone who knows someone who knows one of the writers? Hey, this is L.A.; I wouldn't be shocked in the slightest if I happened to know someone who knows someone (etc.) like that. If so, I need your help to solve a seemingly frivolous but in fact deceptively consequential like you wouldn't believe. (If I ever figure out the answer, you'll soon see why...but at this point I'm not holding my breath!)

I cannot get a definitive answer to this question:

The second verse of "Bad Romance" begins thusly:

I want your horror,
I want your design,
'Cause you're a criminal
As long as you're mine.
I want your love.
Love, love, love,
I want your love.

Following the most fantastic grunt, she continues: "I want your Psycho/ Your Vertigo _______"

And here's where my advanced degrees in history and early modern literature and all the practice I've had doing research for minuscule details have to this point failed me. Does Gaga want "your Vertigo STICK" or "your Vertigo SCHTICK?" Clearly this obscure couplet is in reference to perhaps the two most famous films of Alfred Hitchcock, and wanting one's "psycho," capitalized or not, at the very least fits into the gist of the rest of the song's lyrics. Now, my first instinct was "stick," despite that word pairing making little sense; perhaps my instinct was based on the prominence of the word "stick" in a previous single, "LoveGame" (in that case as half of a rather catchy euphemism for a somewhat salacious part of the male anatomy).

The friend who originally made apparent a discrepancy in our respective hearings of that lyric just happens to possess the musical taste and Gaga-specific appreciation and experience to suggest to me the possibility of the oh-so-rare occurrence in which I'm wrong and someone else is right; plus *SPOILER ALERT* the film Vertigo centers around an especially thorough, sinister and ultimately fatal deception...and in a relatively avant-garde mainstream pop song it's conceivable that the word "schtick" might arguably serve such a reference.*

I've heard compelling cases for both and I'm simply baffled. (Full disclosure: for reasons entirely unrelated to "Bad Romance," lyrical continuity or the preservation of English grammar, I'm hoping that "stick" turns out to be correct. Not enough, however, to proclaim it is so when there is some chance it might not be.

HELP ME LADY GAGA-KENOBI! YOU'RE MY ONLY HOPE!

(In case you wonder why I exclude MetroLyrics, an example: the site currently seems under the impression the lyric in question is "I want your psycho/Your vertical stick..." Seriously? As my mother always says, "It is better to remain silent and be thought a fool than to open your mouth and remove all doubt.")

For reference, in case anyone hasn't yet experienced the mindblowing fabulousness, here's the video.




*If you have not seen Vertigo, what on earth is the matter with you? Rectify this immediately. Buy it used from Amazon. Put it in your Netflix queue. Here's a link. No, I mean do it NOW. It could not be simpler.

Did you do it?

Thursday, October 15, 2009

A Bipolar Day in Los Angeles Town

Today has been what Karen Walker might call a "Fiesta del Failure."

It began with an inauspicious (and, on the plus side, increasingly rare) incident of oversleeping and therefore tardiness to work and to my first student appointment of the day, which is easily in the top three mistakes I hate making more than any other at this job. Then I breathlessly went to start up my computer while trying to minimize the obvious fountains of sweat erupting from my every surface as my lateness had required parking on the street and walking in rather than my usual, morning overheating-prevention parking spot at the Parking Center and soothing preparatory tram ride to the office. This effort was put on hold as I found my desk crawling with the ants left over from the Kingdom of the Crystal Skull...not unsurprising, in hindsight (and, to be honest, at the time too) as my desk habits, while mostly far from unacceptable, might not impress Emily Post; plus, despite Sam having had candy of every sort out in a bowl on her desk for months and never an issue, my bowl was apparently the Studio 54 of the ant world (in a way, still is, having closed its doors and therefore had a large effect on the eventual disappearance of its clients in the area).

This was a) gross - my keyboard looked like my old ant farm from middle school; b) embarassing - I was already late, and despite how pristene I not only got my desk to be prior to this week (the first in a typically intense period, twice yearly, during which every one of my 371 students comes by the office at least once) but had against all odds maintained all week thus far, and this particular student is one to whom I really want to come off as useful, helpful, and under no circumstances even bordering incompetence; and c) unfair (in a childish, not-actually-unfair-in-the-real-world kind of way) - I've gone out of my way to try to prevent such fauna visitation ever since a furry friend showed up in the office last year. Also, when I went to try to find some ant killer (there were SO MANY ANTS) I learned that not only did the main student affairs office have its own visiting army, specifically of interest to Formicidaean tourists was apparently one of a rather high-ranking official.

This was all before 10am, and the next five or six hours featured my own personal brand of "Oh my god where the fuck am I, what am I saying and who am I supposedly saying it to" brand of escalating self-consciousness and overcompensation, forgetfulness (on a much greater scale than usual if possible), and so on. Frustration mainly at the simultaneous emergence of all of my nervous habits, great and small, common and rare, not only on a full morning of appointments, but now I was doing them out in the main room. That meant a full morning of trying to focus on the student at hand and remembering and maintaining our specific rapport/relationship/rules of operation that usually allowed me to connect better and earn trust and approval (which we all know is like oxygen for me), while also keenly aware that my next appointment, usually a new sophomore at this early point in the advisement process (they snag appointments like Miley Cyrus tickets), could witness the whole disjointed symphony that I become after starting a morning in that way (as, I suspect, would most people, but it didn't happen to "most folks" did it?).

Being late meant parking on the street despite my recent purchase of a Parking Center pass. Thursdays were a big reason behind that sale, being street cleaning days and requiring me to park either in China (which is how far away the parking center might as well be when I'm running late) or to manage to sprint four to eight South LA blocks back to my Portia by noon to escape the parking nazis (i.e. Los Angeles' response to its financial shortcomings due to the Republicans... oh I mean the State and city budget deficits. ... Okay, they're synonymous). I admit this moment offered a hint of victory, as no ticket had yet reached my car at 12:05 as I climbed in and to my delight and ironic appreciation I saw the street sweeper turn the corner behind me and wait politely as I moved out of his way. I figured that I'd at least finally got the benefit of one of my numerous previous ones, as most of them have been bestowed upon me long before I actually blocked any street sweeper and all too often arrived to find within seconds of the restricted time (welcome to living on Ellendale). So ha.

Of courser, then I mixed up two students' appointment times in my phone despite putting them in there in the first place as part of a great new effort to never miss even an informal and irregular appointment due to my natural human inclination toward routine; today this resulted in skipping the one I thought was canceled while attending the one that was.

And all that happened before lunch. The rest of the day offered no additional mishaps, perhaps knowing the damage had been done once seeing my attitude towards this particular day as the kind Nellie Bly would sing about washing right out of her hair.

And suddenly I got a one-two punch of messages about great news for two different women I know, one a student who recently sought my help with making some major academic and personal career decisions, and the other a former classmate whom I have adored since meeting her the first day of college in Dr. Amy Richlin's Latin I class at USC. And as trite and nearly vomit-inducing it sounds, even to me as I type it, I exaggerate in no way when I say I felt all of the ugly from up to that point in my day immediately vanish, or lose all effect on me, or whatever you might call it. Even though both of these bits of happy news will likely mean I will soon see a lot less of each of them, "I'm so happy they're so happy!"


And that's a nice feeling.

Sunday, October 4, 2009

Through the Open-Source Looking Glass

Well, Mr. Gates, much as I appreciate your continued support for the arts and other plebian concerns with pittance from your national economy-sized net worth, I now bid you and your virus-ridden, "ooh, Vista's totally ready for distribution" operating system and step through the open-source looking glass to a wonderland called Ubuntu. Don't bother to write (there'd probably be a virus attached to your email anyway). Catch you on the flip side.

(Somehow I feel like this needs a heavenly choir and parting clouds a la The Simpsons..."Uuu-buuun-tuuuuu" doo, doot doot de doo, doot doot, de do do do do...)

Here goes...